别样的战争叙事美学——重读《八月桂花遍地开》  

Different Aesthetics of War Narrative——Rereading Osmanthus Blossoms Everywhere in August

作　　者：徐雪涛 XU Xue-tao(College of Literature,Fujian Normal University,Fuzhou 350000,China)

机构地区：[1]福建师范大学文学院,福建福州350000

出　　处：《郑州师范教育》2021年第3期63-67,共5页Journal of Zhengzhou Normal Education

摘　　要：《八月桂花遍地开》以精致的结构、丰富的蕴含、容量巨大的历史内容,拓展了战争叙事的空间。同时在故事的叙述中流露出中国共产党及其领导的抗日武装力量,是汇聚起全民族抗战的核心力量这一鲜明的叙事意图。在人文关怀和历史使命的视角上,作者生动摹画了日伪军上下层的军官,描述了他们内心的挣扎与惶惑,反思了战争对人的异化和摧残。The novel Osmanthus Blossoms Everywhere in August has expanded the space of war narrative with its delicate structure, rich implication and huge historical content. At the same time, in the narration of the story, the Chinese Communist Party and the anti-Japanese armed forces under its leadership are the core forces of the whole nation’s anti-Japanese war, which is a distinct narrative intention. From the perspective of humanistic care and historical mission, the author vividly depicts the upper and lower level officers of the Japanese puppet army, describes their inner struggle and confusion, and reflects on the alienation and destruction of human beings caused by the war.

关 键 词：《八月桂花遍地开》 战争叙事空间 叙事意图 人文关怀 

分 类 号：I206.7[文学—中国文学]