论王独清前期诗歌的意象美  

On the Image Beauty of Wang Duqing’s Early Poetry

作　　者：洪永稳[1] HONG Yongwen(School of Liberal Arts,Huangshan University,Huangshan,China 245041)

机构地区：[1]黄山学院文学院,安徽黄山245041

出　　处：《温州大学学报（社会科学版）》2021年第5期1-7,共7页Journal of Wenzhou University：Social Science Edition

摘　　要：王独清前期诗歌中的意象饱蘸着诗人悲哀的真感情,扎根于社会现实、具有中西合璧的特征,既含有法国象征派诗歌意象表现的技巧,又吸收中国古典诗词的营养,表现出隐而不晦、哀而不伤的审美意味。这些意象创造形成王独清诗歌独特的意象美,对中国新诗的发展和艺术上的成熟做出了重要的贡献。The images in Wang Duqing’s early poems are full of genuine sadness and are rooted in the social reality.Combining Chinese and Western elements,they not only contain the skills of expressing images in French symbolism poetry,but also absorb the nutrition of Chinese classical poetry,showing the aesthetics of being implicit and sentimental.These images form the unique image beauty of Wang Duqing’s poetry,and have made important contributions to the development and artistic maturity of Chinese new poetry.

关 键 词：王独清 前期诗歌 意象美 审美风格 

分 类 号：I207.25[文学—中国文学]