基于禅宗美学的宋代陶瓷茶器研究  

Study on the Song Dynasty Ceramic Tea Ware Based on Zen Aesthetics

作　　者：王忠[1] 郭豪 Wang Zhong;Guo Hao(School of Design and Art,Changsha University of Science&Technology,Changsha Hunan,410114)

机构地区：[1]长沙理工大学设计艺术学院,湖南长沙410114

出　　处：《陶瓷研究》2021年第4期14-16,共3页Ceramic Studies

摘　　要：宋代堪称陶瓷史上的黄金时代,瓷业空前繁荣,因饮茶之风盛行使得陶瓷茶器的发展也达到了相当了得高度。受佛教文化影响所诞生的禅宗美学思想在宋朝时期几乎渗透到了陶瓷发展的各个方面,禅宗美学的意境与韵味流转其中,反映出宋代茶器高古超脱、淳朴天然之美,同时还表现出它自身的一种含蓄空灵之境。本文以茶文化及禅宗美学的融合为基础,借用茶禅文化在陶瓷茶器中的运用及发展,以此探究宋代陶瓷茶器与禅宗美学是怎样融合与体现的。The Song Dynasty can be called the golden era in the history of ceramic ceramics.The porcelain industry enjoyed unprecedented prosperity.Due to the prevalence of tea drinking,the development of ceramic tea ware also reached a considerable height.Influenced by Zen culture,Zen aesthetics thought permeated almost all aspects of ceramic development in the Song Dynasty.The artistic conception and charm of Zen aesthetics reflected the ancient and simple and natural beauty of the Song Dynasty,and also showed its own implicit emptiness.Based on the integration of tea culture and Zen aesthetics,this paper uses the application and development of tea Zen culture to explore how ceramic tea ware and Zen aesthetics in Song Dynasty.

关 键 词：宋代茶器 禅宗美学 茶禅文化 

分 类 号：J0[艺术—艺术理论]