粉彩艺术人物题材中传神写照的重要性  

The importance of vivid portrayal in the subject matter of pastel art characters

作　　者：罗琴 Luo qin(Luoqin ceramic art studio,Jingdezhen,333000)

机构地区：[1]罗琴陶瓷艺术工作室,景德镇333000

出　　处：《陶瓷研究》2021年第4期151-152,共2页Ceramic Studies

摘　　要：人物画是我国艺术表现形式出现最早的题材,比如史前的彩陶文明中《舞蹈纹彩陶盆》,战国时期的《人物龙凤图》和《人物御龙图》帛画,在魏晋南北朝时期人物画也率先成熟,已出现有名人物画家顾恺之、张僧繇、陆探微等等。像山水与花鸟画则是在唐朝后才成熟,可见我国人物画艺术历史悠久,人物画在陶瓷艺术的出现也非常早,著名的元青花《鬼谷子下山》《萧何夜下追韩信》都是人物题材。陶瓷艺术可以运用不同的工艺表现,有青花、粉彩、新彩。无论是国画人物还是粉彩艺术中的人物,人物的眼神刻画都是极为重要,本文主要探究粉彩艺术人物题材中传神写照的重要性。figure painting is the earliest theme in the form of artistic expression in China,such as the dance pattern painted pottery basin in the prehistoric painted pottery civilization,the silk paintings of the figure dragon and Phoenix and the figure resisting the dragon in the Warring States period,and the figure painting also took the lead in maturing in the Wei,Jin,northern and Southern Dynasties.There have been famous figure painters Gu Kaizhi,Zhang sengyao,Lu Tanwei and so on.For example,landscape and flower and bird painting only matured after the Tang Dynasty.It can be seen that China's figure painting art has a long history,and figure painting also appeared very early in ceramic art.The famous yuan blue and white ghost Valley down the mountain and Xiao He chasing Han Xin at night are all character themes.Ceramic art can be expressed by different techniques,including blue and white,pastel and new color.Whether in traditional Chinese painting or in pastel art,the characterization of characters'eyes is very important.This paper mainly explores the importance of vivid portrayal in the subject matter of pastel art characters.

关 键 词：人物画 粉彩艺术 传神写照 

分 类 号：J0[艺术—艺术理论]