林大钦隐逸诗与陶诗风格差异辨析  

Differentiation of styles between Lin Da-qin’s hermit poems and Tao Yuan-ming’s poems

作　　者：林玉洁 LIN Yu-jie(Nanfang College,School of Literature and Media,Guangzhou 510970,China)

机构地区：[1]广州南方学院文学与传媒学院,广东广州510970

出　　处：《佛山科学技术学院学报（社会科学版）》2021年第5期58-63,共6页Journal of Foshan University(Social Science Edition)

基　　金：广东省哲学社会科学“十三五”规划项目(GD17YZW03)。

摘　　要：前人以“冲澹闲适,有类陶韦”的风格评价林大钦的诗风及其与陶诗的关系。通过对林大钦诗歌中陶诗的引用和陶渊明在诗中形象的分析,认为林大钦对陶诗隐逸诗歌的继承更多体现在隐居山林以全其志的出处选择,同时也延续了陶诗中的豪逸之气。其不同之处也较鲜明,林诗偏爱孤寂幽深的意象,背后是与世抗争的勇气、遗世独立的风姿的交融,体现了二人对道的不同体认。Predecessors have evaluated Lin Da-qin’s poetic style and its relationship with Tao’s poetry with the style of“Dilute and leisurely,very similar to Tao Qian’s poems”.Through the analysis of the references to Tao’s poems and the image of Tao Qian in Lin Da-qin’s poems,this paper puts forward to that Lin Da-qin’s inheritance of Tao’s hermit poems is more reflected in the choice of the source of reclusive forest to complete his ambition,and at the same time,it also continues the spirit of grandeur and elegance in Tao’s poems.The differences between them are also distinct.Lin’s poems prefer the images of loneliness and deepness.Behind them is the blend of the courage to fight against the world and the style of independence,which reflects their different understandings of Tao.

关 键 词：林大钦 陶渊明 隐逸诗 豪逸 幽寂 

分 类 号：I207.22[文学—中国文学]