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作 者:庆振轩[1] 郭晓瑜 Qing Zhenxuan;Guo Xiaoyu(School of Liberal Arts,Lanzhou University,Lanzhou 730030,China)
出 处:《西北民族大学学报(哲学社会科学版)》2021年第5期166-171,共6页Journal of Northwest Minzu University(Philosophy and Social Sciences)
摘 要:河西宝卷是敦煌俗文学的分支,它远祖佛经,近承敦煌变文,是在河西特定地域、特定时代和特定社会阶层承继发展的讲唱文学品类。探研河西宝卷独特的发展路径,有必要理清传统通俗文学演变发展的脉络,将河西宝卷置于讲唱文学发展的文化链条上考察,给予其准确的学理定位。河西宝卷作为在河西地区农村院落长期发展的独具地域色彩的说唱文学样态,与河西曲艺相互影响,同源分流。研究河西宝卷渊流,应将其放在河西地域文化、文学发展演变的大背景下进行考论,把河西宝卷作为一个整体进行分析研判的同时,更需把河西宝卷与敦煌讲唱文学及相关河西曲艺作为一个整体进行观照。Hexi Baojuan is a branch of Dunhuang popular literature.It has inherited the Buddhist scriptures of the distant ancestors and recently inherited Dunhuang Bianwen.It is a genre of speaking and singing literature inherited and developed in a specific area of Hexi, in a specific era and by a specific social class.To explore the unique development path of Hexi Baojuan, it is necessary to clarify the development sequence of traditional popular literature, and observe Hexi Baojuan in the cultural chain of the development of speaking and singing literature so as to offer a scientific academic position.As a form of speaking and singing literature with its unique regional features developed for long in the countryside of Hexi area, Hexi Baojuan and Hexi folk performing art have mutually influenced each other, they shared the same origin and developed in different directions.The study of the origin and development of Hexi Baojuan should be done under the grand background of Hexi regional culture and the literary development.While Hexi Baojuan should be analyzed and judged as a whole, Hexi Baojuan, Dunhuang speaking and singing literatureand related Hexi folk performing art should be observed and appreciated as a whole.
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