北凉石塔七佛一弥勒佛衣样式探究  

Research on the Seven Buddhas and One Maitreya’sClothing of Northern Liang Stone Pagoda

作　　者：庞跃雷[1] PANG Yue-lei(School of Fine Arts,Northwest Normal University,Lanzhou 730070,China)

机构地区：[1]西北师范大学美术学院,甘肃兰州730070

出　　处：《兰州文理学院学报（社会科学版）》2021年第5期37-43,共7页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：教育部人文社会科学青年基金项目“多元文化视域下敦煌石窟弥勒经变研究”(18XJC760005)。

摘　　要：中国早期的佛教造像佛衣样式较为单一,仅为“通肩式”。北凉石塔七佛一弥勒先后出现“通肩式”“右袒式”“垂领式”和“右肩半披式”佛衣样式。北凉石塔中出现“右袒式”佛衣为中土最早的实例,但很快被“垂领式”和“右肩半披式”所替代。犍陀罗的造像中“索福克勒斯型”披着方式为这两种新式佛衣的雏形。通过北凉石塔佛衣样式出现的变化,来探讨犍陀罗佛衣向东土传播过程中图像产生差异的文化动因。In the early stage of China,the style of the Buddha’s clothing was single,only the shoulders covering style.Shoulders covering style,the right shoulder bare style,half of the right shoulder bare style and collar hanging down style appeared in Northern Liang stone pagoda.The appearance of the right shoulder bare style Buddha clothing in Northern Liang stone pagoda was the earliest example in the Middle Earth,but it was soon replaced by half of the right shoulder bare style and collar hanging down style.The Sophocles type in Gandhara’s statues was the prototype of these two new Buddha robes.In this paper,through the changes of the patterns of the Buddhists in the Northern Liang stone pagoda,the cultural causes of the differences in the images of Gandhara Buddhists in the process of spreading to the East was discussed.

关 键 词：七佛一弥勒 佛衣 右肩半披式 垂领式 

分 类 号：J19[艺术—艺术理论]