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作 者:刘林云 LIU Linyun(College of Literature,Wuhan University,Wuhan 430072,China)
出 处:《忻州师范学院学报》2021年第4期40-45,66,共7页Journal of Xinzhou Teachers University
摘 要:针对陶渊明的诗歌特点,元好问《论诗三十首·其四》中的评断自有精妙之处,而论诗以"豪华",使其呈现出兼具外在文辞、形式和内在风格特征的内涵,这同样可以视为是遗山的一种努力。"豪华"乃是历代诗人对六代(朝)的普遍印象和价值判断,多指向现实物质层面,却也不乏作为文学特征评价的现象。"豪华"虽然最终并未成为一个古典诗歌中品评诗歌风格的完整概念,却在陶诗以及元氏对陶诗的评断中显露出了细微而丰富的张力,可待更多的发掘。In view of the characteristics of Tao Yuanming’s poems, the comments in Yuan Haowen’s "Thirty Poems That Discuss Poetry · The Fourth" have their own subtle points, and the "luxury" makes the poems show the connotation of both external text, form and internal style characteristics, which can also be regarded as a kind of effort of Yishan."Luxury" is the general impression and value judgment of the poets of all dynasties on the Six dynasties.Most of them point to the material level of reality, but there is no lack of the phenomenon as the evaluation of literary characteristics.Although "luxury" has not become a complete concept to evaluate the style of poetry in classical poetry, it shows a subtle and rich tension in Tao’s poetry and Yuan’s evaluation of Tao’s poetry, which should be further explored.
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