中国境内俄罗斯族音乐文化审美探微  

A Probe into the Aesthetics of Russian Music Culture in China

作　　者：张楠[1] 白斌 ZHANG Nan;BAI bin(College of Music and Dance,Qiqihar University,Qiqihar Heilongjiang 161006,China)

机构地区：[1]齐齐哈尔大学音乐与舞蹈学院,黑龙江齐齐哈尔161006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第9期152-155,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：黑龙江省艺术科学规划课题:我省“俄罗斯族”音乐文化特殊的艺术性与发展现状(2016d096);黑龙江省省属高校基本科研项目:黑龙江地区俄罗斯族音乐的艺术特点与研究(135309311);2017-2018年齐齐哈尔市哲学社会科学规划项目:齐齐哈尔市少数民族文化资源开发利用研究(QSX2017-12YB)。

摘　　要：音乐的发展与民族迁徙或融合紧密相关,俄罗斯族音乐文化即是其中的重要代表。民族文化包含艺术却又高于生活,民族音乐文化的本质是民族艺术价值与民族象征的“结合体”,其民间音乐文化特点与俄罗斯民间音乐文化有着密切的关系。以神话传说故事、民间音乐、礼仪宗教音乐特点为主导。自18世纪来到中国以后,俄罗斯族音乐少了刻意的人工雕琢,增加了无限的自由与肆意性,用自然式的表达将艺术与生活紧密联系,不仅为民族音乐的发展提供了更多切实可行的创作途径,更在不断的融合与发展中成为中华民族音乐文化中的重要组成部分,将审美融于自然,将艺术回归自然,在东方审美情趣下衍生出了特殊的民族音乐价值。The development of music is closely related to national migration or integration,and Russian music culture is an important representative of it.National culture includes art but is higher than life.The essence of national music culture is the"combination"of national artistic value and national symbol.The characteristics of folk music culture are closely related to Russian folk music.It is dominated by the characteristics of myths,legends,folk music,and ritual religious music.Since coming to China in the 18th century,the Russian music has reduced deliberate artificial carving,increased unlimited freedom and wanton,and has closely linked art and life with natural expressions.Not only has it provided more practical and feasible creative ways for the development of national music,it has also become an important part of the Chinese national music culture through continuous integration and development,integrating aesthetics with nature,returning art to nature,and the Russian music has derived a special national music value under the oriental aesthetic.

关 键 词：中国境内 俄罗斯族 民族音乐 美学价值 

分 类 号：J692[艺术—音乐]