凌叔华“出轨”小说与“后五四”情感  

Ling Shuhua’s“Infidelity”Novels and“Post-May 4”Emotion

作　　者：马春花[1] 郝心舒 MA Chun-hua;HAO Xin-shu(College of Liberal Arts,Journalism and Communication,Ocean University of China,Qingdao,Shandong 266100, China)

机构地区：[1]中国海洋大学文学与新闻传播学院,山东青岛266100

出　　处：《湘潭大学学报（哲学社会科学版）》2021年第5期132-136,共5页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：国家社会科学基金后期资助项目“性别政治与1980年代中国文学”(20FZWB015)的阶段性成果。

摘　　要：“出轨”是凌叔华20世纪20年代作品的重要主题,《酒后》与《花之寺》是其中的代表性作品。两篇小说在“出轨”的发生、对象的选择及夫妻之间的性别权力博弈等方面存在明显的互文关系。“出轨”揭开美满婚姻表象下个人隐秘的情欲流动,凌叔华的这两篇具有互文性的“出轨”小说,在书写具有现代意义的夫妻日常家庭生活的同时,也呈现了中上阶层男女在新婚姻关系中的心理状态、权力博弈与自我形象塑造,让后来的人们得以窥见20世纪20年代中国“新家庭”中交叠传统与现代的性别关系与情感状况。“Infidelity”is an important theme of Ling Shuhua’s literary works in the 1920s,among which Drunkenness and Temple of Flowers are two representatives.There is an obvious intertextual relationship between the two novels in the occurrence of“infidelity”,the choice of love object and the game-playing of gender power between husband and wife.“Infidelity”reveals the secret flow of private sexual passion under the appearance of a happy marriage.Ling Shuhua’s two intertextually related“infidelity”novels not only depict the daily family life of two couples with modern significance,but also present the psychological state,power game playing and self-image molding on the part of the middle-and upper-class men and women in the new marriage relationship.This lets later comers get a glimpse of the overlapping tradition and modern gender relations and emotional state of the so-called“new families”in China in the 1920s.

关 键 词：凌叔华小说 出轨 互文 “后五四” 亲密情感 

分 类 号：I206[文学—中国文学]