白马人面具舞蹈的文化符号及其意指实践  

The Cultural Symbol and Signifying Practices of Baima People’s Mask Dance

作　　者：王阳文[1] WANG Yang-wen(School of Arts and Communication,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学艺术与传媒学院舞蹈系,北京100875

出　　处：《北京舞蹈学院学报》2021年第4期31-36,共6页Journal of Beijing Dance Academy

基　　金：北京舞蹈学院高精尖学科建设项目(项目编号PXM2020014219000037)阶段性成果。

摘　　要：符号的本质是意义,意义必须进入实践的领域才能在某一文化中有效地循环,符号的实践过程既是文化的实现过程,也是意义的编织过程。白马人的面具舞蹈是族群重要的文化符号,承担着族群认同的功能与价值。该符号的意指实践在不同村寨体现出从"怪物"到"祖先"的转变,这一认知以及围绕其展开的舞蹈仪式,是在特定社会历史语境下的群体选择、呈现和塑造,折射出实践主体在具体社会中对于自我和世界的建构与想象。The essence of a symbol is meaning,and its meaning must enter the realm of practice in order to effectively circulate in a certain type of culture. The practice process of a symbol is not only the realization process of culture,but also the weaving process of meaning. The mask dance of Baima people is an important cultural symbol of their ethnic group,bearing the function and value of their ethnic identity. The signifying practices of this symbol embody a shift from monster to ancestor in different villages. This cognition and the dance rituals based on it are the group selection,presentation and shaping in a specific social and historical context,reflecting how Baima people construct and image themselves and the world in the real society.

关 键 词：面具舞蹈 文化符号 意指实践 身体语言 

分 类 号：J722.21[艺术—舞蹈]