金代诸宫调的阳声韵和《董西厢》的韵部系统  

The Yangsheng Rhyme of Gongdiao and the Rhyme System of Dong Xi Xiang in Jin Dynasty

作　　者：刘俊一 牛云龙[1] LIU Jun-yi;NIU Yun-long(School of Education,Qingdao Technical College,Qingdao,Shandong 266071,China)

机构地区：[1]青岛职业技术学院教育学院,山东青岛266071

出　　处：《青岛职业技术学院学报》2021年第4期62-69,共8页Journal of Qingdao Technical College

摘　　要：以《董西厢》为代表的金代诸宫调的阳声韵有两个特点,一是邻韵同用特别多,二是前后鼻音韵尾混同。前后鼻音韵尾的混同有可能是受到作者方音的影响;而邻韵同用,如寒山、桓欢、先天三韵通押,是因为这三韵韵腹音位相近,押韵较宽,并不意味着实际语音中三韵混同。金、元时代闭口韵仍然存在,制曲用韵基本不用闭口韵是受唱腔的制约,并非意味着闭口韵已经消失。《董西厢》的韵部系统显示,《中原音韵》的元代中原音系早在金代中期就已经初步形成。There are two characteristics of Yangsheng rhyme in Jin Dynasty Gongdiao represented by Dong Xixiang.One is the same use of the para-rhyme and the other is the mixed use of the anterior and posterior nasal sounds.The mixed use of the anterior and posterior nasal sounds is maybe influenced by the author’s accent.However,the para-rhymes like Hanshan,Henghuan and Xiantian which use the same triple rhyme are because the three words have similar and free rhymes.Actually the triple rhyme can not be mixed up.There were still Bikou rhymes in Jin and Yuan Dynasties.Rhymes in composition were subject to arias,so we could not find Bikou rhymes there.The rhyme system in Dong Xi Xiang showed that Zhongyuan Yin Yun of Yuan Dynasty was preliminarily formed in the middle of Jin Dynasty.

关 键 词：诸宫调 阳声韵 鼻音韵尾 闭口韵 韵部系统 

分 类 号：H114[语言文字—汉语]