泰戈尔戏剧中的植物隐喻  

Metaphor of Plants in Tagore's Dramas

作　　者：马慧[1] MA Hui(School of Literature,Liaocheng University,Liaocheng 252059,China)

机构地区：[1]聊城大学文学院,山东聊城252059

出　　处：《聊城大学学报（社会科学版）》2021年第5期38-44,共7页Journal of Liaocheng University:Social Science Edition

基　　金：2018年度山东省社会科学规划项目(18DWWJ03):象征主义戏剧的认知隐喻研究。

摘　　要：泰戈尔戏剧中植物意象密集,由认知隐喻的角度,可以由此探及作者思想和戏剧特点。泰戈尔戏剧频繁使用"人是植物"的基本隐喻,将人的生命力的强弱与植物的兴衰对应起来,体现了人与植物之间的密切关系,这与人们在日常生活中的认知习惯一致。在此基础上,泰戈尔戏剧对植物隐喻的运用更突出了认知独特性,即突出了植物凋谢后还会生发,季节轮回之下生生不息的特点,形成具有个人主观倾向性的诗性隐喻,并由诗性隐喻达成了戏剧形象塑造,建构了戏剧结构,并阐释了主题思想。作者通过植物隐喻运用,强调万物常新的无限性超越了个人有限性,由此完成对个体的救赎。In Tagore’s plays, plant images are dense. From the perspective of cognitive metaphor, we can explore the author’s thoughts and dramatic characteristics. Tagore’s plays frequently use the basic metaphor of"man is a plant", which corresponds the strength of human vitality with the rise and fall of plants, reflecting the close relationship between men and plants, which is consistent with people’s cognitive habits in daily life. On this basis, The use of plant metaphor in Tagore’s drama highlights the cognitive uniqueness, that is, it focuses on the characteristics that plants will grow after withering and grow under the cycle of seasons, forms a poetic metaphor with personal subjective tendency, shapes the drama image,constructs the drama structure, and explains the theme. Through the use of plant metaphor, the author emphasizes that the infinity of constant novelty of all things transcends the limitation of individuals, so as to complete the redemption of individuals.

关 键 词：泰戈尔 植物 隐喻 认知 

分 类 号：I106.3[文学—世界文学]