论朝鲜朝末期文人金泽荣对韩愈诗歌的接受  

The Acceptance of Hanyu’s Poetry by KimTaeg-young in the Context of the History and Culture in Ancient Korean Peninsula

作　　者：杨会敏[1] YANG Hui-min(Department of Chinese Language and Literature,Suqian College,Suqian Jiangsu 223800,China)

机构地区：[1]宿迁学院中文系,江苏宿迁223800

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第10期42-45,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：江苏高校哲学社会科学研究项目:唐宋诗之争在古代朝鲜半岛流变研究(2019SJA2012);国家社会科学基金项目:唐诗在古代朝鲜半岛的传播与影响研究(17XZW012)。

摘　　要：同不少中朝前辈及同时代诗评家一样,金泽荣非常看重韩愈雄浑壮大、奇崛不平的气势美。金泽荣在以杜诗为正宗的朝鲜朝中后期的主流风尚下,选择避开主流且极力推崇韩愈的雄健奇崛之风可谓另辟蹊径,既能上接盛唐又能消弭自朝鲜朝初期以来的唐宋之争,并由此开启宗尚“盛晚唐”兼容并包的多元化诗风。此外,深受朱子性理学影响的金泽荣选择疏离韩愈的“不平之鸣”,而由韩归杜,借鉴杜甫“以诗为史”,更应和了其亡命中国的经历和以文章报国、以史救国的思想。金泽荣还认同并全面地实践了韩愈“以文为诗”的诗歌理论,极大地提升了诗歌的阳刚雄奇之气。As Chinese and Korean predecessors and contemporary critics of poetry,Kim Taeg-young extraordinarily emphasizes the peculiar and vigorous momentum and grandeur under the mainstream of taking the poems of Du Fu as the orthodox,which provides an alternative,and it can not only inherit the tradition of the prosperous Tang Dynasty,but also eliminate the conflict between the Tang poetry and Song poetry since the early days of Chosen Dynasty,and thus forms compatible and diversified styles of poetry that advocates the poetry of the prosperous Tang Dynasty and late Tang Dynasty.Besides,being deeply affected by Zhu Xi’s neo-confucianism,Kim Taeg-young chooses to alienate the opinion of Han Yu‘where there is injustice;there will be an outcry’,and traces back to Du Fu through Han Yu and borrows the method of taking poems as history,which is more in line with his experience of being a fugitive in China and his thoughts of serving the country with articles and saving the country with history compilation.Moreover,Kim Taeg-young identify and fully practice the theory of YI WEN WEI SHI(以文为诗)which means introducing or borrowing the word method,syntax,text structure and so on,which greatly enhanced the virility of poetry.

关 键 词：金泽荣 韩愈 诗歌 接受 

分 类 号：I312.06[文学—其他各国文学]