论《拉奥孔》诗画关系在语图关系史中的地位  

The Study on the Status of Poetry-Painting Relationship in Laocoon in the History of Literature-Image Relationship

作　　者：李新 LI Xin(Department of Chinese Literature,East China Normal University,Shanghai,200241,China)

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《西安石油大学学报（社会科学版）》2021年第5期107-112,共6页Journal of Xi’an Shiyou University:Social Science Edition

摘　　要：现代语图关系研究是诗画关系在现代电子科学技术和文化影响下的新发展,后者为前者提供了重要的理论资源和研究方法,但是两者的研究又存在着语境及使用范本的不同。莱辛的诗画异质观点虽然为诗画关系的研究奠定了现实主义的基调,但并未突破启蒙运动的历史影响,存在一定的局限性。“莱辛方法”为语图关系研究提供了借鉴,促进了影视剧内涵的丰富和意义的升华,对现代广告传媒中语言与图像的融合具有重要的革新意义,对平等对待语言和图像的关系也具有一定的方法论意义,使语言的研究范式发生了翻天覆地的变化。Research on the literature-image relationship is the new development of poetry-painting relationship under the influence of modern electronic science and technology and culture.The latter provides important theoretical resources and research methods for the former,but their studies are different in discourse and model they used.Lessing's heterogeneous view about poetry-painting relationship establishes the realistic keynote for the research of poetry-painting relationship,but not breaks through the historical influence of enlightenment movement,having some limitation."Lessing's methods"provides some references for the study of literature-image relationship,promotes the richness of movie and television connotation and the sublimation of meaning,shows important reform significance in the blending of language and image in modern advertisement media,and also has certain methodology value in the relationship of treating language and image equally,and thus make the research paradigm of language change greatly.

关 键 词：《拉奥孔》 诗画异质 语图关系 语言范式 

分 类 号：I0-05[文学—文学理论]