汪曾祺“另类”写作的主体表达——《大淖记事》再解读  

The Subject Expression of Wang Zengqi’s Alternative Writing—Reinterpretation of Da Nao Ji Shi

作　　者：徐成[1] XU Cheng(School of Literature,Guizhou Normal University,Guiyang 550004,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550004

出　　处：《无锡职业技术学院学报》2021年第4期60-64,共5页Journal of Wuxi Institute of Technology

摘　　要：汪曾祺被称为“中国最后一个古典抒情诗人”“中国最后一位士大夫”。他的文学创作以清淡质朴的文笔传递人间温情,他总是以自己的亲历为原型,将笔触放置在小人物的悲欢上,展现出底层百姓的酸甜人生。《大淖记事》作为汪曾祺20世纪80年代的代表作,以诗化的语言建构了一幅充满烟火气、人情味的“大淖上河图”,以一对苦命鸳鸯的爱情历程展现出大淖的民风民俗,有别于80年代的其他主流创作,形成了一种另类的主体表达。Wang Zengqi is known as the last classical lyric poet and scholar bureaucrat in China.His story conveys the warmth of the world with simple style.He always takes his own personal experience as the prototype.He places his brush strokes on the joys and sorrows of the people,showing the sweet and sour life of the layfolk.As Wang Zengqi’s masterpiece in the 1980s,Da Nao Ji Shi constructs a picture of Da Nao river,which is daily and warm in poetic language.It shows the customs of Da Nao through two young people’s twisting love journey,which is different from the mainstream creation in the 1980s.It forms an alternative subject expression.

关 键 词：《大淖记事》 诗化 另类表达 

分 类 号：I247.7[文学—中国文学]