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作 者:唐小娟[1] Tang Xiaojuan(School of Chinese Language and Literature,Hubei University)
机构地区:[1]湖北大学文学院
出 处:《中文论坛》2021年第1期24-35,共12页Forum of Chinese Language and Literature
摘 要:20世纪30年代,曹禺凭借《雷雨》《日出》《原野》等作品一举成为中国现代戏剧史上最耀眼的明星,引起了戏剧研究者的广泛关注。一些在华的欧美学者敏锐地介入演出批评现场,贡献出敏锐而中肯的媒体批评和学术研究成果;进入20世纪80年代之后,随着曹禺本人的海外访问及其剧作的对外交流和广泛传播,曹禺剧作的艺术魅力受到越来越多的海外戏剧研究者的关注,成为他们研究中国现代戏剧、编撰中国现代文学史时难以忽视的研究对象。这一时期相继召开的关于曹禺剧作的国际学术研讨会也吸引了大量国内外的学者参与研讨,涌现出大量视野开阔的优秀研究成果。同时,港澳台地区的曹禺研究者由于学术背景的差异,在研究中更多地使用比较文学的研究方法,贡献出许多见解独特的成果。海外及港澳台地区的曹禺研究者提供了多元文化背景下的比较视域,长期以来同大陆曹禺研究互为参照,共同构成曹禺研究不可或缺的组成部分。In the 1930s,Cao Yu became the most dazzling star in the history of modern Chinese play with his works such as Thunderstorm,Sunrise and Wild Field,which aroused widespread concern among drama researchers.Some European and American scholars in China keenly intervened in the performance criticism scene and contributed keen and pertinent media criticism and academic research results;after entering the 1980s,with Cao Yu’s overseas visits and the external exchange and wide spread of his plays,the artistic charm of Cao Yu’s plays has attracted more and more attention from overseas drama researchers,and has become a research object that they cannot ignore when they study modern Chinese play and compile the history of modern Chinese literature.The international academic seminars on Cao Yu’s plays held successively during this period also attracted a large number of domestic and foreign scholars to participate in the seminar,and a large number of excellent research results with broad horizons emerged.At the same time,due to the differences in academic backgrounds,Cao Yu researchers in Hong Kong,Macao,Taiwan and China's Mainland used more research methods of comparative literature in their research,contributing many unique insights.The Cao Yu study abroad and in Hong Kong,Macao and Taiwan provides a comparative perspective in a multicultural context.It has long been cross-referenced with the mainland Cao Yu study,and together form an indispensable part of the Cao Yu study.
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