颜真卿早期“墓志书法”的文化成因与审美意义——陕西新出土《罗婉顺墓志》探析  

Exploring the Creation Backgrounds and Aesthetic Significance of YAN Zhenqing’s Early Epitaph Calligraphy: A Case of LUO Wanshun’s Epitaph

作　　者：金肽频 JIN Taipin(Anhui Daily Group,Hefei,Anhui,230061)

机构地区：[1]安徽日报报业集团,安徽合肥230061

出　　处：《艺术生活》2021年第3期37-42,共6页Art & Life

摘　　要：陕西新出土的《罗婉顺墓志》,是颜真卿早期真迹的重大发现。这方墓志见证了以颜真卿为代表的唐代书法风格的形成与发展。本文以《罗婉顺墓志》为例,探讨其创作的文化成因、艺术背景和书体特征,并阐述颜体书法创作变化中的独特美学。这不仅为研究唐代皇室李宪妻族历史提供了参考,也为唐代正史、文学史研究提供了重要佐证。The epitaph on the newly unearthed tomb of Luo Wanshun, a literary work of the royal families of the Tang Dynasty, is a great discovery of the early authentic calligraphy by YAN Zhenqing. This very epitaph among others proves the formation and development of the calligraphic style of Tang represented by Yan Zhenqing. Taking LUO Wanshun’s Epitaph as an example, this study explores its creation and arts backgrounds and distinctive calligraphy characteristics, and expounds the unique aesthetics underlying the changes of Yan’s calligraphic creations. The findings will not only provide reference for researching into the background of LI Xian’s wife and families, but also for the study of the official history and literary history of the Tang Dynasty.

关 键 词：颜真卿 《罗婉顺墓志》 文化成因 审美 

分 类 号：J292[艺术—美术]