一场关于服饰选择权的无硝烟战争——新世纪巴基斯坦妇女服饰在电影艺术中的女权投射  

A Non-gunpowder War on the Option of Clothes and Accessories——the Projection of Feminist Coming from Pakistani Women’s Clothes and Accessories in Film Art of the New Century

作　　者：卓雅 ZHUO Ya(School of Media,Anqing Normal University,Anqing,Anhui,246011)

机构地区：[1]安庆师范大学传媒学院,安徽安庆246011

出　　处：《艺术生活》2021年第2期11-20,共10页Art & Life

摘　　要：现代巴基斯坦人的着装服饰受历史、地域、宗教甚至政治的影响。随着时代的进步,西装、T恤与牛仔裤也成为人们的日常着装,被称为巴基斯坦"国服"的传统服装——沙瓦-凯米兹已不再是唯一选择。但是,巴基斯坦妇女的服饰还要额外受到来自性别伦理的制约与管束。这种于现实中无处不在的服饰伦理在巴基斯坦本国的电影艺术中被以隐晦的方式表达与传播,再现当代穆斯林妇女在西方与东方、宗教与世俗、现代与传统的新旧文化冲突境遇中受限制的服饰选择权,宣扬了她们在社会等级、宗教教义等场域中为争取女性平等权利的无言抗争。The Clothes and Accessories of modern Pakistanis is influenced by history, region, religion and even politics. With the progress of the times, suits, T-shirts and jeans have become people’s daily clothing, the traditional costume Slawar-Kameez known as "National Service" of Pakistan, is not the only choice any more. However, Pakistani women’s clothing is restricted and controlled by gender ethics additionally. This ubiquitous dress ethics in reality is expressed and spread in the film art of Pakistan in a concealed way, to talk about the restricted power of clothing choice of contemporary Muslim women’s in the conflict situations between old and new cultures in the West/Eastern, religion/secular, modern/traditional, topublicize their wordless struggle for women’s equal rights in the fields of social hierarchy and religious doctrines.

关 键 词：巴基斯坦 妇女服饰 服饰伦理 女性权利 

分 类 号：J022[艺术—艺术理论] J905