论昆剧传习所重建后的传承特色  

On Inheritance Characteristics of Kunqu Opera School after the Reconstruction

作　　者：王珊珊[1] WANG Shanshan

机构地区：[1]苏州大学文学院,苏州215000

出　　处：《浙江艺术职业学院学报》2021年第2期14-18,共5页Journal of Zhejiang Vocational Academy of Art

基　　金：2019年度国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(江苏卷)”阶段性成果。(批准号:19ZD05)。

摘　　要：1981年11月,昆剧界人士聚会苏州,共同创议重建昆剧传习所,1982年3月,昆剧传习所正式重建。重建后的昆剧传习所保持“昆剧传承”的初心,在顾笃璜先生的带领下,坚持保守昆曲本色,先后从老一辈“传字辈”艺术家和其他昆曲艺人传承了多部戏。传习所近年来主要编演了《牡丹亭》《红楼梦传奇》以及《浣纱记》三部戏,从它们的选本、舞台以及音乐运用中,可发现重建后的传习所在传承昆曲这一古老艺术的过程中,所秉承的“复古”“本真”的传承特色。In November 1981,people from the Kunqu Opera circle gathered in Suzhou to jointly initiate the reconstruction of the Kunqu Opera School.In March 1982,the Kunqu Opera School was officially rebuilt.Under the leadership of Mr.Gu Duhuang,the original intention of“inheriting Kunqu Opera”has been maintained.Under the leadership of Mr.Gu Duhuang,many plays have been inherited from the older generation of artists and other Kunqu opera artists.In recent years,the school has mainly compiled and performed three plays:The Peony Pavilion,A Dream of Red Mansions and Huansha Ji.From their selections,stages and music application,it can be found that the school has inherited the“retro”and“authentic”inheritance characteristics in the process of inheriting Kunqu Opera.

关 键 词：昆剧传习所 《浣纱记》 《红楼梦传奇》 

分 类 号：J809[艺术—戏剧戏曲]