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作 者:魏薇[1] WEI Wei
出 处:《浙江艺术职业学院学报》2021年第2期89-98,共10页Journal of Zhejiang Vocational Academy of Art
基 金:2020年度江苏省社科应用研究精品工程课题成果。(项目编号:20SYC-099)。
摘 要:长三角区域是我国经济最活跃、开放程度最高、创新程度最强的区域。作为这一区域民间音乐的代表——江南丝竹,在2006年5月成为国务院批准的首批国家级非物质文化遗产,因此探索江南丝竹的传承、发展与创新对长三角地区音乐文化的保护与发展意义重大。近十几年来,江南丝竹的传承主要通过比赛与展演、民间音乐社团、专业乐团音乐会、民间音乐馆等各种形式展开。除了传承,创新更是江南丝竹发展的必然。以顾冠仁先生为代表的新江南丝竹,将民族民间音乐素材和西方作曲技法融会贯通于新江南丝竹的创作与改编之中,使其既保持了传统的民间音乐风格,又有强烈的时代气息。江南丝竹的传承与创新必须抓住传承是本,创新是魂,走向民间;需要与教育和市场传播紧密相连,通过教育让祖国未来的主力军们认识我们自己的优秀传统文化,通过市场传播,将江南丝竹音乐融入到现代传播媒介中,从而使其更好地实现创新性的转化与发展。The Yangtze River Delta is the most active,open and innovative region in China.As the representative of folk music in this region,Jiangnan Sizhu has been identified as one of the first batch of national intangible cultural heritage in May,2006.It is significance to explore the inheritance,development and innovation of Jiangnan Sizhu for the protection and development of music culture in the Yangtze River Delta.In the past decades,the inheritance of Jiangnan Sizhu has been carried out mainly through competitions and performances,folk music associations,professional orchestra concerts,folk music halls and so on.Innovation is necessary and critical for Jiangnan Sizhu.The New Jiangnan Sizhu,represented by Gu Guanren,integrates folk music elements and western composing skills into the creation and adaptation of the New Jiangnan Sizhu music,which not only maintains the traditional folk music style,but also has a strong flavor of the times.The critical sprit must be followed for the inheritance and innovation of Jiangnan Sizhu should grasp“inheritance being the foundation,innovation being the soul,and going into the folk”.It is necessary to connect closely with education and media market.The future masters of the motherland will know and enjoy our own excellent traditional culture through education.The creative transformation and development of Jiangnan Sizhu music will benefit from new media and marketing communication.
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