后现代语境反衬下的年红儿童书写  

Writing about Children in the Novels by Nian Hong with the Contrast of the Postmodern Context

作　　者：曾小月[1] ZENG Xiaoyue(College of Liberal Arts,Shantou University,Shantou,Guangdong,China 515063)

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《昆明学院学报》2021年第5期8-11,共4页Journal of Kunming University

基　　金：汕头市哲社规划课题“海外潮人儿童文学中的潮汕文化研究”(ST21CT04);广东省大学生创新创业训练计划项目“当代香港儿童文学中的中华传统文化研究”(S202110560044)。

摘　　要：马来西亚华文作家年红先生在其长达半个世纪的儿童文学创作中,始终保持着朴素的写作风格,即规范本体、剪截浮词,以便整饬情理、提炼寓意。在后现代语境下,年红一反流行思路,坚守“一人一事一道具”的写作模式,不急不慢,诚笃实在,与“后现代”背道而驰。其作品集《流花河》体现出作家对于海外华人儿童的成长烦恼、品德修养、人生态度以及生命意识等深切的关注。其创作经验与教育思想值得人们借鉴和深思。The Malaysian Chinese writer Nian Hong keeps his plain writing style in his almost half-century children′s literature creation,with standard noumenon and concise meaning.Under the postmodern context,he maintains the writing mode of focusing on somebody and something,contrary to the popular“postmodernism”.His works Liu hua River shows the author′s deep concern to the growing pains,moral cultivation,life attitude and life consciousness for the oversea Chinese children,and his creation experience and education thoughts are valuable.

关 键 词：儿童文学 年红小说 流花河 后现代主义 文化现象 

分 类 号：I207.8[文学—中国文学]