童年作为抵抗——论穆旦诗歌中童年主题意象的审美内涵  

Childhood as Resistance:On the Aesthetic Connotation of Childhood Theme Images in Mu Dan′s Poems

作　　者：杨成前 YANG Chengqian(School of Humanities,Wenzhou University,Wenzhou,Zhejiang,China 325035)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《昆明学院学报》2021年第5期18-22,共5页Journal of Kunming University

摘　　要：在穆旦的诗歌中,“童年”作为一个特殊的主题意象频频出现。这一创作行为显示出“童年”在诗人的精神世界中有着特殊的位置。同时“童年”主题意象的出现也与穆旦的现实境遇及精神思索有关,诗人在逼仄现实的挤压下通过诗歌表达思想,且多以象征或隐喻的方式阐释自我精神。“童年”是纯真美好世界的象征,代表的是穆旦精神世界里最本源纯粹的理想时空,但这一美好时空的出现总是落脚于晦暗压抑的现实世界,美好的理想总是指涉着罪恶的现实。In Mu Dan′s poems,“childhood”appears frequently as a special theme image.This creative behavior shows that“childhood”has a special position in the poet′s spiritual world.At the same time,the emergence of the theme image of“childhood”is also related to Mu Dan′s realistic situation and spiritual thinking.Under the pressure of narrowing the reality,the poet expresses his thoughts through poetry,and mostly explains his own spirit in the way of symbol or metaphor.“Childhood”is a symbol of the pure and beautiful world and represents the most original and pure ideal time and space in Mu Dan′s spiritual world.However,the emergence of this beautiful time and space always rests in the dark and repressed real world,and the beautiful ideal always refers to the evil reality.

关 键 词：儿童文学 穆旦诗歌 童年 主题意象 生命意识 

分 类 号：I207.8[文学—中国文学]