从包豪斯到靳埭强--看包豪斯在中国传播的一个侧面  

From Bauhaus to Kan Tai-Keung:On One Side of Bauhaus'Communication in China

作　　者：罗江玫[1] Luo Jiangmei(College of Fine Arts,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学美术学院,重庆401331

出　　处：《艺术与设计（理论版）》2021年第10期29-31,共3页Art and Design

摘　　要：1919年成立的包豪斯,融合了20世纪初欧洲各国对现代主义设计运动的种种探索的新成果并加以发展,成为欧洲现代主义设计运动的中心。包豪斯被迫关闭以后,诸多师生移民欧洲、美国和世界各地,使得包豪斯设计思想理念在世界遍地开花。赫伯特·拜耶在耶鲁大学教授的学生保罗·兰德把包豪斯的理性主义和美国人的诙谐幽默、图形化倾向等观念相融合;保罗·兰德的学生石汉瑞到了香港,影响了靳埭强的设计思想。文章试图梳理从包豪斯到靳埭强的承袭关系及设计创作的渊源,了解包豪斯思想理念在中国传播的一个侧面,以此帮助我们今天从事设计创作的后辈理清思路,从而得到一些启示。The Bauhaus,established in 1919,is a blend of modernism design movement in different countries of Europe in the early 20th century of exploring new achievements,to become the center of European modernism design movement.After the Bauhaus was forced to close,many teachers and students immigration to Europe,the United States and around the world.The Bauhaus design philosophy in the world everywhere.Herbert Beyer teaches graphic design at Yale University.His student Paul Rand combines the Bauhaus rationalism and American humor,the tendency of the concept of graphics in Paul Rand's Graphic design works.Paul Rand's student Henry Steiner engaged in design work in Hong Kong,affecting the Kan Tai-Keung's design ideas.This paper attempts to carding relations inherited from the Bauhaus to Kan Tai-Keung and design creative origins.Get some inspiration by knowing one side of the Bauhaus ideas spread in China,to help us in the design and creatio n of the younger gen eration today.

关 键 词：包豪斯 赫伯特·拜耶 靳埭强 设计理念 传播 

分 类 号：J0[艺术—艺术理论]