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作 者:王昕[1] Wang Xin(School of Liberal Arts,Renmin University of China,Beijing,100872)
出 处:《山东师范大学学报(社会科学版)》2021年第5期64-71,共8页Journal of Shandong Normal University(Social Sciences)
基 金:教育部人文社会科学研究一般项目“乾嘉笔记叙录与整理研究”(19YJA751039)的阶段性成果。
摘 要:侠义是一个不断丰富的文学主题。通过回顾"侠以武犯禁"这一线索,可以看到,这一政治面向的特点在后世逐渐模糊褪色,日常空间中的侠在宋明之后的文学作品中逐渐增多。在《聊斋志异》的侠义故事中,"侠"的定义更具弱小者的民间互助性,大多发生于家庭内部和神异空间中。布衣之侠与异类侠义显示了蒲松龄被温情控制的道德立场和民间化的想象,这是《聊斋志异》为这一主题带来的新质。Chivalry is a constantly enriching literary theme.By reviewing the clue of"Chivalry breaking the ban with force",we can see that the characteristics of this political orientation gradually blurred and faded in later generations,and the chivalry in daily space gradually increased in the literature after the Song and Ming Dynasty.In the chivalrous tales of Strange Stories from a Chinese Studio,which mostly occurring in a family or a supernatural space,the definition of"chivalry"is more of the folk mutual assistance of the weak.The chivalry of the common people and the non-human creatures shows Pu Songling’s moral position controlled by warmth and folk imagination,which is a new quality brought by Strange Stories from a Chinese Studio to this theme.
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