三峡地区原始先民纹饰造型审美初探  

An Aesthetic Exploration of the Decorative Patterns of the Primitive Ancestorsin Three Gorges Area of Yangtze River

作　　者：张博[1] 阿兵川 李佳怡 ZHANG Bo;A Bingchuan;LI Jiayi(Chongqing ThreeGorges University,Chongqing 404020,China)

机构地区：[1]重庆三峡学院美术学院,重庆404020

出　　处：《重庆三峡学院学报》2021年第6期14-25,共12页Journal of Chongqing Three Gorges University

摘　　要：三峡先民特殊的生产生活环境,孕育了三峡地区原始社会的审美意识,表现在诸多器物上,通过纹饰呈现出来。原始器物纹饰造型的演进历程,正是先民们审美意识产生、发展、成熟的过程。耙梳三峡地区原始器物的历史脉络,研究先民纹饰造型的雏形、演进和升华,可揭橥三峡地区特有的审美意识和地域文化。将这些独具三峡特色的纹饰造型,与现代设计原则、方法结合起来,创新应用,能有效推动三峡地区文化创意产业的发展,促进区域文化产业的振兴。The production and living condition of the primitive ancestors in the Three Gorges area gave birth to the aesthetic consciousness of the primitive society,which is embodied in many implements through their decoration patterns.The evolution of primitive implements decoration represents the origin,development and maturity of primitive people’s aesthetic consciousness.The rudiment,evolution and sublimation of the decorative patterns of the primitive ancestors in the Three Gorges area can be studied from the historical context of the relics of the primitive ancestors in the Three Gorges area,so as to show the unique aesthetic consciousness and regional culture in the Three Gorges area.Combining these decorative patterns with regional cultural characteristics with modern design principles and methods,the innovative development of design application can effectively promote the development of cultural and creative industries in the Three Gorges region and promote the revitalization of regional culture.

关 键 词：三峡地区 纹饰造型 审美意识 

分 类 号：J520.9[艺术—艺术设计]