爱的互文:何其芳《预言》辨  

Intertextuality of Love:Differentiation in He Qifang’s “Prophecy”

作　　者：李卫国 LI Weiguo(Department of Literature and Music Art,Yibin University,Yinbin,Sichuan 644000,China;School of Humanities,Huazhong University of Science and Technology,Wuhan,Hubei 430070,China)

机构地区：[1]宜宾学院文学与音乐艺术学部,四川宜宾644000 [2]华中科技大学人文学院,湖北武汉430070

出　　处：《重庆三峡学院学报》2021年第6期75-83,共9页Journal of Chongqing Three Gorges University

摘　　要：《预言》一诗是何其芳早期诗歌中的圆熟之作,通过对《预言》的现实甄辨与主题再探,发现它除了受西方浪漫派与象征派影响之外,更与徐志摩、卞之琳等人的诗文结构和立意有一定互文性,可与徐志摩的《我等候你》以及卞之琳的无题诗系列对读、反读。诗文均表现出诗人们在爱情这阵风的牵引下,微妙而又复杂的内心世界,以及由此映射出的现实之思。《预言》交织着梦幻与现实、历史与未来、现代与古典的对立与平衡,体现了何其芳诗艺上的融通与对待人生的美学态度。"Prophecy" is a well-known work in He Qifang’s early poems. Through the reality identification and theme re-examination of "Prophecy", it is found that in addition to being influenced by western romanticism and symbolism, it has a certain intertextuality with the structure and conception of Xu Zhimo and Bian Zhilin’s poetry. The form can be read in both reverse and inverse ways with Xu’s "Waiting for You" and Bian’s untitled poem series.They all show the subtle and intricate inner world of the poet under the gust of love, as well as the realistic thinking reflected by it. The poem intertwined with the opposition and balance between dream and reality, history and future, modernity and classicism,which reflects He Qifang’s integration in poetry and his aesthetic attitude towards life.

关 键 词：何其芳 预言 辨考 互文 无题诗 

分 类 号：I226[文学—中国文学]