物性、智性与情性——人工智能与艺术生产的技术向度  

Physicality,Intellectuality and Emotionality--Artificial Intelligence and the Technical Direction of Art Production

作　　者：张伟[1] Zhang Wei

机构地区：[1]广东外语外贸大学阐释学研究院,广州510420

出　　处：《中州学刊》2021年第10期145-152,共8页Academic Journal of Zhongzhou

基　　金：国家社科基金项目“视觉修辞与当代图像叙事的审美机制研究”(18BZW025)。

摘　　要：作为人类技术衍化的产物,人工智能的艺术生产既体现出一般物化媒介的本质属性,又体现出超越一般媒介的技术优势,其对人类智能的直接模仿机制缩短了媒介模仿的实践间距,一定程度上完善了媒介模仿施控与受控的统一,体现出人类媒介实践的“自足”效应。但审美“意向性”、经验意识以及人类非常态的思维性特征,作为人工智能尚未企及人类自然智能的阈限体现,在人工智能愈发凸显的智性优势中彰显了人类智慧的价值存在。兼具应然特征、随机属性与社会机制的情感场域更是成为人工智能止步自然智能的可能性限度,它在一定程度上保证了艺术生产场域人类主导意识的现实在场,同时也对当下艺术场域中过于标举的形式思维提供了一定的启示。As the product of the evolution of human technology,the art production of artificial intelligence embodies not only the essential attribute of the general physical media,but also the technical advantage beyond the general media.Its direct imitation mechanism of human intelligence shortens the practice distance of media imitation,improves the unity of control and control of media imitation to a certain extent,and reflects the"self-sufficiency"of human media practice effect.However,aesthetic"intentionality",empirical consciousness,and human abnormal mentality,as the reflection that artificial intelligence has not yet reached the threshold of human natural intelligence,demonstrates the value of human wisdom in the increasingly prominent intellectual advantages of artificial intelligence.The emotional field with due features,random attributes and social mechanisms is the limit of the possibility of artificial intelligence to stop natural intelligence.It ensures the actual presence of human subject consciousness in the art production field to a certain extent,and at the same time,it also provides some enlightenment to the formal thinking which is too standard in the current art field.

关 键 词：人工智能 艺术生产 技术媒介 情性 形式思维 

分 类 号：J01[艺术—艺术理论]