大河村遗址彩陶双连壶的造型艺术与文化意蕴研究  

A Study on Formative Arts and Cultural Implication of the Painted Double-pot in the Dahecun Site

作　　者：秦存誉 王涛[1] QIN Cunyu;WANG Tao(School of history,Capital Normal University,Beijing 100048,China)

机构地区：[1]首都师范大学历史学院,北京100048

出　　处：《中国陶瓷》2021年第9期142-146,共5页China Ceramics

摘　　要：彩陶双连壶是河南郑州大河村遗址出土的一件造型别致、形态典雅的饮酒器。它在器体造型和器表图案的设计过程中充分表达了形态、色彩、肌理三个要素,具有功能性和简洁性相统一的艺术风格。彩陶双连壶是仰韶晚期文化格局与发展态势的标志物,具有丰富的文化意蕴。它在多元文化汇聚中原腹地时被创制出来,代表秦王寨文化居民与亲缘部落的联合与共融,是部落间友好、平等、亲昵的实物化反映。The painted double-pot is a unique and elegant drinking vessel excavated from the Dahecun site in Zhengzhou, Henan Province. It fully expresses the three elements of form, hue and texture in the design process of the body shape and surface pattern, and has an artistic style that unifies functionality and simplicity. The painted double-pot is the marker of the cultural pattern and development trend of the late Yangshao period and has a rich cultural meaning. It was created when multiple cultures converged in the Central Plains hinterland, representing the union and communion of the inhabitants of the Qinwangzhai culture with their kin tribes, a reflection of inter-tribal friendship, equality and intimacy.

关 键 词：大河村遗址 秦王寨文化 彩陶双连壶 造型艺术 文化意蕴 

分 类 号：TQ174.74[化学工程—陶瓷工业]