设计生态中的“传统”元素——以传统挑花工艺为例  

“Tradition”Elements in the Design Ecology:Take the Traditional Cross-Stitch as an Example

作　　者：李鑫扬 LI Xinyang(Academy of Arts&Design,Tsinghua University,Beijing 100084,China)

机构地区：[1]清华大学美术学院,北京100084

出　　处：《工业工程设计》2021年第5期33-38,45,共7页INDUSTRIAL&ENGINEERING DESIGN

摘　　要：本文以传统挑花工艺的“现代化”为例,深入探讨设计生态中将“传统”视为元素,与视觉思维相割裂的设计问题。传统挑花工艺经由历代制作者的实践建立起一种知觉上的内在整体关系,而非一种由各部分形式接合的“整体”,在其内部一直保持着人的感知与设计活动之间的平衡。然而,受现代生活洪流的影响,现代挑花设计中出现了将传统挑花图案及工艺视为元素来运用的现象,简单地将传统与现代进行表面接合,从而导致了设计生态陷入失衡的境况。此类设计生态问题并不仅局限于这一领域,在与现代设计相关的其他行业亦不乏此类问题的出现。This paper takes the“modernization”of the traditional cross-stitch as an example to deeply explore the design issues that regard“tradition”as elements in the design ecology,which is separated from visual thinking.The traditional cross-stitch has established a perceptual internal overall relationship through the practice of the producers of the past generations,rather than a“whole”joined by the forms of various parts,and it has always maintained a balance between human perception and design activities.However,influenced by the torrent of modern life,there is a phenomenon of using traditional cross-stitch patterns and crafts as elements in modern cross-stitch design,and a problem of simply jointing tradition and modernity on the surface,thus caused the design ecology to get into an unbalanced situation.This kind of design ecological problem is not limited to this field,and there is no shortage of such problems in other industries related to modern design.

关 键 词：传统 挑花工艺 视觉思维 设计生态 

分 类 号：J524[艺术—艺术设计]