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作 者:刘颖 王小平 LIU Ying;WANG Xiao-ping(College of Liberal Arts,Yangzhou University Yangzhou Jiangsu,225009;Conservatory of Musicm,Yangzhou University,Yangzhou Jiangsu,225009)
机构地区:[1]扬州大学文学院,江苏扬州225009 [2]扬州大学音乐学院,江苏扬州225009
出 处:《艺术百家》2021年第5期139-144,169,共7页Hundred Schools In Arts
摘 要:中国“新音乐”的发展最早可追溯至明末清初时期,以新型歌曲集和理论著作的形式存在。从中西音乐交流历程来看,“新音乐”经历了发轫期、转折期,于20世纪初正式确立。在这期间,中国“新音乐”歌曲作品由原来的依曲填词逐渐向中国化新型音乐迈进,“新音乐”理论体系也从最初的以介绍西洋乐理知识为主逐渐向建构富有中国特色的专业音乐理论体系的方向发展。The development of "new music" in China can be traced back to the late Ming Dynasty and the early Qing Dynasty. It exists in the form of new song collections and theoretical works. Based on the history of Chinese and Western music communication, new music had undergone the competition period and transformed period, and established formally in the early 20 th century. During this period, China’s "new music" song works from the original lyrics to the Chinese new music gradually step forward, the "new music" theory system from the initial introduction of western music theory gradually to the construction of a professional music theory system with Chinese characteristics.
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