作为风格概念的样式主义  

Mannerism as a Concept of Style

作　　者：陈芸 Chen Yun

机构地区：[1]南京大学艺术学院 [2]浙江理工大学浙江省丝绸与时尚文化研究中心

出　　处：《美术》2021年第10期120-127,共8页Art Magazine

基　　金：2020年度浙江省哲学社会科学重点研究基地课题(编号:20JDZD035)的阶段性成果。

摘　　要：在西方艺术史与艺术批评领域,"样式主义"是一个颇具争议的风格术语。本文从样式主义概念辨析入手,探究此概念产生时前后关联的历史语境及其内涵,通过分析16世纪意大利早期样式主义绘画的视觉表征及其审美倾向,阐明以"反古典"为特征的样式主义与20世纪表现主义艺术之间的亲缘关系,由此揭示16世纪意大利样式主义与德国艺术精神的内在关联,为进一步理解欧洲现当代艺术提供可参照的研究方法和思考路径。In the field of Western art history and art criticism,"mannerism"is a controversial topic.This paper starts with the concept of"mannerism",and explores historical context and connotation of the concept before and after it comes into being.By analyzing the visual representation and aesthetic tendency of the early Italian mannerism painting in the 16 th century,this paper discusses the affinity between the mannerism characterized by"anti-classical school"and the expressionist art in the 20 th-century,and thus reveals the intrinsic connection between Italian mannerism and German art spirit in the 16 th century,which provides referable research methods and thinking paths for further understanding of modern and contemporary art in European countries.

关 键 词：风格 样式主义 反古典 视觉表征 审美价值 

分 类 号：J209[艺术—美术]