论谷崎润一郎与郭沫若的交往  

On the Relationship between Tanizaki Junichiro and Guo Moruo

作　　者：张能泉[1] ZHANG Nengquan(Department of Chinese Language and Literature,Hunan University of Science and Engineering,425199,Yongzhou,China)

机构地区：[1]湖南科技学院中文系,永州425199

出　　处：《北方工业大学学报》2021年第3期40-45,共6页Journal of North China University of Technology

基　　金：湖南省社会科学基金项目“谷崎润一郎与中国现代文学作家关系研究”(18YBA183)。

摘　　要：作为一位日本现代知名作家,谷崎润一郎曾在上海结识了一批包括郭沫若在内的中国现代文人。此后,他与郭沫若之间的交往陆续持续了近三十年。两人的交往对郭沫若早期的文学创作也产生了一定的影响,其交往呈现出由亲密转为疏远的转变,导致这种现象的根源在于两人思想上的距离与情感上的错位。对于向来疏离政治的谷崎润一郎来说,他不愿意将自己带入政治的漩涡中而影响其艺术至上的文学主张。因此,谷崎润一郎与郭沫若交往关系的变迁不仅印证了谷崎润一郎捍卫艺术至上的坚定信念,也充分说明中日现代作家之间往往因其立场与主张不同,而选择分道扬镳。As a well-known Japanese modern writer, Junichiro Tanizaki met a group of Chinese modern literati including Guo Moruo in Shanghai. Since then, his relationship with Guo Moruo has been on and off for nearly three decades. The interaction between the two shows a change from intimacy to alienation, and the root cause of this phenomenon lies in the change of Guo Moruo’s literary thoughts and identities, resulting in the ideological distance and emotional dislocation between the two. For Tanizaki Junichiro, who has always been politically unscrupulous, he is not willing to bring himself into the vortex of politics. Therefore, the change of Tanizaki Junichiro and Guo Moruo’s relationship not only confirms the firm belief of Tanizaki Junichiro in defending the supremacy of art, but also fully shows that Chinese and Japanese modern writers often choose to part ways because of their different positions.

关 键 词：谷崎润一郎 郭沫若 史料 交往 

分 类 号：I109[文学—世界文学]