体认与质疑--文化转型视阈中杜甫诗歌的一种解读  

Recognition and Query: An Interpretation of Du Fu′s Poems in the View of Cultural Transformation

作　　者：马蓉 MA Rong(Beijing Electronic Science and Technology Institute,Beijing 100070,P.R.China)

机构地区：[1]北京电子科技学院人文社科部,北京市100070

出　　处：《北京电子科技学院学报》2021年第3期117-124,共8页Journal of Beijing Electronic Science And Technology Institute

摘　　要：中唐是中国传统文化由前期向后期转变的关键时期,文学艺术精神自此发生明显转变。随着现实政治秩序的崩溃,汉至盛唐以来为士人提供价值依据的政治本体走向解体,对文化本体的探询开始萌芽,杜甫可谓发此先声的代表者。杜甫的诗歌仍表现出对政治本体的体认,但在体认中又不断质疑政治对人价值建构的意义,在质疑中导向对个体本真生命情感的重视,在此基础上,杜甫实现了对悲剧性现实的审美超越,开启了对个体文化价值与生命意义的探询。杜甫的诗歌,呈现出由传统社会前期的政治本体向传统社会后期的文化本体过渡的状态,在文学史上、思想史上具有深远的意义。The middle Tang Dynasty is the key period for the transformation of Chinese traditional culture from the early stage to the late stage.Since then,the spirit of literature and art has changed significantly.With the collapse of the political order,political ontology which provided the value to scholars was disintegrated.The exploration of cultural ontology began to sprout,Du Fu was a typical representative of these.Although his poems still show the recognition of political ontology,but he began to question the significance of politics to human.He started to pay attention to the importance of individual emotion.On this basis,Du Fu surmounted the predicament and achieved aesthetic transcendence,he begun to explore the individual cultural value and the real meaning of life.Du Fu;s poems presents a state of transition from political ontology to cultural ontology and has a far-reaching significance on the literature history and history of thought.

关 键 词：杜甫 中唐 政治本体 文化本体 体认 质疑 

分 类 号：I207.22[文学—中国文学]