论尤涅斯库《秃头歌女》中的“反戏剧”精神  

Anti-dramatic Spirit in Eugene Lonesco's The Bald Prima Donna

作　　者：卜凌云 卢娟 BU Lingyun;LU Juan(School of Literature and Communication,Huizhou University,Huizhou 516007,Guangdong,China;Shaoguan Zhenjiang Yinshan Primary School,Shaoguan 512023,Guangdong,China)

机构地区：[1]惠州学院文学与传媒学院,广东惠州516007 [2]韶关市浈江区银山小学,广东韶关512023

出　　处：《惠州学院学报》2021年第4期64-68,共5页Journal of Huizhou University

摘　　要：尤涅斯库是荒诞派戏剧的奠基人之一,他在存在主义的基础上,提出了一套反戏剧理论,主张用反常规的戏剧手法将人生和现实世界的荒诞直观地展现在作品中,以特有的荒诞艺术形式颠覆了传统的戏剧创作主张,揭示了西方现代人的异化状态和生存困境,其深刻的理论对戏剧实践具有深远的影响。文章论述了尤涅斯库“反戏剧”精神的内涵及其产生的渊源,并从作品《秃头歌女》入手,探讨“反戏剧”精神的具体表现方式、历史价值和现实意义,从观念和形态上为当下的戏剧创作以启发和借鉴。Eugene Lonesco is one of the founders of the theatre of the absurd.His anti-theater theory of anti theatre,which is based on existentialism,advocates to use unconventional theatrical techniques to show the absurdity of the real world on the work directly.It subverts the traditional idea of drama creation with its unique form of absurd art,and reveals the alienation state and survival dilemma of modern westerners.In brief,it has a profound impact on drama practice.This paper discusses the connotation and origin of the antidramatic spirit of Eugene Lonesco,and argues its specific expression,historical value and practical significance with the Bald Prima Donna to reflect and inspire the current drama creation from the perspective of the concept and form.

关 键 词：尤涅斯库 《秃头歌女》 反戏剧 戏剧实践 

分 类 号：I106[文学—世界文学]