曾巩文学心态及其诗风衍变  

Zeng Gong’s Literary Mentality and the Evolution of His Poetic Style

作　　者：张洲 ZHANG Zhou(Institute of Cultural Industry,Guangdong Academy of Social Sciences,Guangzhou 510635,China)

机构地区：[1]广东省社会科学院文化产业研究所[文学研究中心],广东广州510635

出　　处：《苏州教育学院学报》2021年第5期87-96,共10页Journal of Suzhou College of Education

摘　　要：“唐宋八大家”之一曾巩的诗名自北宋起即为文名所掩,以致后世对其诗歌成就认识不足。事实上,曾巩的诗歌并不逊于文章。在其人生经历和诗坛风向等因素的影响下,曾巩的诗风先后经历了自然雄放、平实沉着、明洁清健、典雅深隽四个阶段。曾巩的诗歌创作在北宋诗坛别具一格,对于纠正宋初以来浮华雕琢的西昆体有着积极的作用和影响,其诗作为清隽一脉,在中国古代诗坛也有着重要的地位。As one of the Eight Great Literary Figures of the Tang and Song Dynasties,the poetic fame of Zeng Gong has been eclipsed by his literary fame since the Northern Song Dynasty.In fact,Zeng Gong’s poems are not inferior to his essays.Because of his life experience and the trend of the poetry,Zeng Gong’s poetic style has gone through four stages,including being natural and uninhibited,plain and composed,limpid and pristine,and elegant and thought-provoking.Zeng Gong’s poetic works not only plays a positive role in purging the pompous and complicated Xikun style handed down from the Northern Song Dynasty,but also takes up a significant place in the ancient Chinese poetry arena because of his fresh and meaningful style.

关 键 词：唐宋八大家 曾巩 北宋诗歌 诗风 

分 类 号：I206.2[文学—中国文学]