汉代女性流行妆容的审美实践  

The Aesthetic Practice of Women’s Popular Makeup in Han Dynasty

作　　者：李小成[1] Li Xiaocheng(School of Literature, Xi’an University , Xi’an 710065 China)

机构地区：[1]西安文理学院文学院,西安710065

出　　处：《西安文理学院学报（社会科学版）》2021年第3期5-11,共7页Journal of Xi’an University(Social Sciences Edition)

摘　　要：审美是一种价值发现,是在实践中对美的发现和欣赏,人们不但将精神投射于自然,亦以此来反观自身,古人的化妆就是审美的实践。在《全汉赋》中不乏有诸多对于女子妆容的描写,这对于后人研究汉代女子的妆容有着十分重要的辅助作用。《美人赋》对汉代女子的妆容有详细的描写,其所写汉代女子妆容多体现时代潮流。并观汉代诸赋,从中可以了解当时女子的妆容情况,同时亦能体察到汉代女子妆饰风俗的艺术审美价值。Aesthetics is a kind of value discovery,which is the discovery and appreciation of beauty in practice.People not only project their spirit into nature,but also reflect on themselves.The makeup of the ancients is the aesthetic practice.There are many descriptions of women’s makeup in Collected Rhymeprose of Han Dynasty,which plays a very important auxiliary role for later generations to study women's makeup in Han Dynasty.On Beauty has a detailed description of women’s makeup in Han Dynasty,which mostly reflects the trend of the times.By observing the Collected Rhymeprose of Han Dynasty,we can not only understand the makeup of women at that time,but also observe the artistic aesthetic value of women’s makeup customs in Han Dynasty.

关 键 词：流行妆容 审美实践 《美人赋》 时妆 

分 类 号：I206.234[文学—中国文学] K892[历史地理—民俗学]