乐思涌动 意切情深——高为杰《思蜀》创作技法研究  

A Study of Techniques in the Composition of GaoWeijie’s Longing for Shu

作　　者：覃锋达 Qin Fengda

机构地区：[1]广西艺术学院作曲系,南宁530000

出　　处：《黄钟（武汉音乐学院学报）》2021年第2期117-128,167,共13页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：广西艺术学院2020年度高层次人才项目“高为杰的音阶理论与实践研究”(项目编号:GCRC202008)的研究成果。

摘　　要：音乐理论家约瑟夫·希林格曾提出音乐的各种模式组合,其本质是各种数学系列。高为杰先生在作品《思蜀》中使用的“非八度周期循环人工音阶”音高体系正是希林格观点的体现。文章重点探讨作曲家是如何把乐曲的音高系统、调性旋律元素安放在人工音阶之中进行创作,并利用现代音乐技术去实现与传统音乐调性、曲式的统一整合,探索作品中的特殊集合表现力关系,从而在情与理的博弈中达到高度的美学统一原则。Musical theorist Joseph Hillinger once proposed that the various combinations of musical patterns are,in essence,various mathematical series.The pitch system of the non-octave cyclical artificial scale used by Mr.Gao Weijie in his work Longing for Shu is the embodiment of Hillinger’s view.This paper focuses on how the composer blended the pitch system and tonal melodic elements of the piece into the artificial scale,and unified and integrated traditional musical tonalities and forms with modern music techniques;and explores the special expressive relationship between pitch-class sets in the work,with the aim of achieving a high degree of aesthetic unity in the game between emotion and reason.

关 键 词：高为杰 思蜀 人工音阶 集合 美学 

分 类 号：J614[艺术—音乐]