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作 者:陈世明 CHEN Shi-ming(Zhengzhou Institute of Technology, Zhengzhou 451100, China)
出 处:《湖北第二师范学院学报》2021年第10期1-6,共6页Journal of Hubei University of Education
基 金:国家社会科学基金项目“中国诗趣理论及诗趣形态研究”(13BZW015)。
摘 要:朱光潜说:“数就是美。”根据汉字方块字的结构特点,修辞学里设有“析字”一格。在浩瀚的诗歌海洋中有一种和析字修辞格相接近的情状,即把数字(语法上叫数词)拆析开来,去表情达意,笔者称之为“析数”。数字的拆合离析,也可以像析字一样,产生一定的修辞效果,而且古今诗人均有见用。这说明,只要诗人运筹得体,拆析巧善,数字非但能与枯燥的概念绝缘,而且能在有机的组合中,变成诗歌形象里有生命的特殊细胞和美感因素,让数字和文字相映生辉。Zhu Guangqian said that number is beauty.In the vast sea of poetry,there is a something similar to the figure of speech named as Chinese character analysis.It is breaking down numbers to express meaning,which is called number analysis.Like the separation of words,disassembly and separation of figures can also produce certain rhetorical effects.It is used by both ancient and modern poets.This shows figures are not boring concepts for tactful and skillful poets.In an organic combination,they can become aesthetic factors in the poetic image and shine together with words.
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