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作 者:梁梦娇 刘岩松 耿晓杰[1] Liang Mengjiao;Liu Yansong;Geng Xiaojie
机构地区:[1]北京林业大学材料学院,北京100083 [2]京作榫卯艺术馆,北京100022
出 处:《家具与室内装饰》2021年第11期14-17,共4页Furniture & Interior Design
基 金:北京市教育委员会共建项目。
摘 要:为了挖掘和弘扬中国传统榫卯结构中展现的设计美学和人文思想,探索榫卯结构在现代家具中的应用设计思路。本文对中国传统家具中榫卯结构的自然性、科学性、装饰性以及哲学性进行了分析,从中探求古人的造物观、审美观、人生观和世界观,按榫卯结构在传统家具中的构造作用将其分为面与面、线与面、线与线、线与点的接合。据此提出榫卯结构在现代家具中的创新可以从三个方向入手:榫卯结构功能化、榫卯结构可视化、榫卯结构模块化,取其“形”、用其“意”,使其科学性、文化性得以传承和发展,最后结合笔者的设计方案以示说明。In order to excavate and value the design aesthetics and humanistic thoughts displayed in Chinese traditional mortise and tenon joint,the application-oriented design idea of mortise and tenon joint in modern furniture has been explored.This paper analyzes the nature,science,decoration and philosophy of mortise and tenon joint in Chinese traditional furniture,and explores the ancients’creation values,aesthetic values,outlook on life and the entire world.According to the structure of mortise and tenon joint in the traditional furniture,it is divided into the joint between surface and surface,line and surface,line and line,and line and point.In this regard,this paper proposes that the innovative application of mortise and tenon joint in modern furniture can include three aspects:functionalization of mortise and tenon joint,visualization of mortise and tenon joint,and modularization of mortise and tenon joint,which contribute to the inheritance and development of its scientific and cultural nature by virtue of its“shape”and“meaning”.In the last part of this paper,the author provides his design for further illustration.
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