道教建筑选址与布局中的文化意蕴探析--以武汉长春观为例  

Analysis of cultural implication in site selection and layout of Taoist--Take Changchun temple in Wuhan as an example

作　　者：陈昱 CHEN Yu(School of Ethnology and Sociology,South-Central Minzu University,Wuhan 430074,China)

机构地区：[1]中南民族大学民族学与社会学学院,湖北武汉430074

出　　处：《四川建材》2021年第11期49-51,共3页Sichuan Building Materials

摘　　要：武汉长春观是隶属于道教全真派的宫观建筑。武汉长春观的宫观选址与平面布局中体现着浓厚的思想文化意蕴:一是传承自中华文明思想大传统的“天人合一”与“中央四方”的思想理念;二是传承自道家的“崇尚自然”与“大道至简”的思想理念;三是属于道教本身的“神仙信仰”与“人神并重”的价值取向;四是属于全真道派别的“传教弘道”与“济世度人”的道德追求。建筑是文化的重要载体,深入地了解长春观建筑体现的文化意蕴,可以提高对道教建筑的文化理解与审美深度。Wuhan Changchun Temple is affiliated to the Taoist Quanzhen school of palace architecture.The site selection and plane layout of Changchun Temple embody a strong ideological and cultural implication:the first one is the idea of“the unity of man and nature”and“Central and Foursquare”inherited from the great tradition of Chinese civilization;The second one is inherited from the Taoist thought of“advocating nature”and“the main road is simple”;The third one is the value orientation of Taoism itself,which is“belief in immortalization”and“equal emphasis on human and god”;The fourth one is the moral pursuit of“preaching and promoting Taoism”and“helping the world and saving people”,which belongs to the Quanzhen Taoism school.Architecture is an important carrier of culture,and a deep understanding of the cultural implication embodied by the architecture of Changchun concept can improve our cultural understanding and aesthetic depth of Wuhan Changchun concept architecture.

关 键 词：道教 长春观 文化意蕴 选址 平面布局 

分 类 号：TU-0[建筑科学—建筑理论]