清末民初满族旗袍文化的嬗变及其历史隐喻  

The Evolution of Manchu Cheongsam Culture and Historical Metaphor in the Late Qing Dynasty and the Early Republic of China

作　　者：孙海静 Sun Haijing

机构地区：[1]吉林省社会科学院,吉林长春130033

出　　处：《地域文化研究》2021年第6期143-146,M0006,共5页

基　　金：吉林省社会科学院课题(2021yb76)。

摘　　要：现代性思潮下中式风格逐渐成为清末民初的服饰设计中一种"时尚"的艺术叙述角度,古典中国的造物活动逐渐进入研究者的视野。本文以晚清民国时期满族旗袍文化的变迁为研究对象,通过对"旗袍"这一具有满族民族文化特色的典型装饰符号的研究,尝试理解现代化影响下的20世纪满族旗袍文化的发展、流行与嬗变,思考旗袍作为装饰符号的文化价值。Under the trend of modernity,Chinese style has gradually become a"fashionable"artistic narrative angle of modern clothing design,and the creation of classical China has gradually entered the field of vision of researchers.This article takes the changes of Manchu Qipao culture in the late Qing Dynasty and the Republic of China as the research object.Through the study of"Qipao",a typical decorative symbol with Manchu national cultural characteristics,it tries to understand the development,popularity and popularity of Manchu Qipao culture in the 20th century under the influence of modernization.Transmutation,thinking about the cultural value of cheongsam as a decorative symbol.

关 键 词：现代性 时尚 民族文化 旗袍 

分 类 号：G127[文化科学]