从广延性角度看摄影发展  

On the Development of Photography from the Perspective of Extensiveness

作　　者：王帅[1] 高岩[1] Wang Shuai;Gao Yan(School of Experimental Art of Tianjin Academy of Fine Arts,Tianjin 300402,China)

机构地区：[1]天津美术学院实验艺术学院,天津300402

出　　处：《艺术与设计（理论版）》2021年第11期112-114,共3页Art and Design

摘　　要：摄影适时而生,凭借一腔热血参与到艺术领域,以一己之力在艺术界打拼出众多令人耳目一新的表现途径。与其他艺术形式比较,每一次科技进步与创新,每一次社会变革与发展,都能推动摄影在表现形式和内容上发生明显改变。因为这一媒介自身的特殊性,随着其不断的快速完善发展,早已远超出其在公众概念里所承担的角色。能不能把摄影作品定义为艺术作品,不由摄影做主,也不是由艺术决定,而是由社会意识范畴决定,妄图用固有的观念来定义和规范摄影和摄影的艺术形式到头来终究徒劳无功。Photography was born at the right time. With a great passion, it participated in the art field and worked out many refreshing ways of expression in the art world on its own. Compared with other art forms, every technological advancement and innovation, every social change and development, can promote significant changes in the form and content of photography. Because of the particularity of itself, the medium has long exceeded its role in the public concept with its continuous and rapid development. Whether a photographic work can be defined as a work of art is not determined by photography, nor by art, but by the category of social consciousness. The attempt to use inherent concepts to define and standardize photography and the art form of photography is ultimately futile.

关 键 词：摄影 艺术化 社会意识 

分 类 号：J40[艺术—摄影艺术]