浅谈宋金元社会形态对磁州窑的影响  

The influence of song,Jin and Yuan social formation on Cizhou kiln

作　　者：文惠玲 Wen Huiling(Jingdezhen Ceramic University,Jingdezhen,Jiangxi,333000)

机构地区：[1]景德镇陶瓷大学研究生院,江西景德镇333000

出　　处：《陶瓷研究》2021年第5期80-82,共3页Ceramic Studies

摘　　要：古往今来,磁州窑作为一大民间窑场体系,磁州窑生产出的瓷器进入到不同阶级与各行各业中,并在历史上取得了一定的成就。唐宋元政治经济文化发展稳定迅速的同时,磁州窑有更多的创新。宋朝逐渐形成了白地黑花磁州窑独有的装饰风格,与金代女真族外来文化融合与创新,由白瓷向彩瓷的过渡及发展,元朝作为酒器器皿造型种类增加,装饰风格和内容偏向写实方向发展。即身为民间磁场的磁州窑,也给陶瓷界带来巨大的影响。since ancient times,Cizhou kiln as a large folk kiln system,Cizhou kiln porcelain into different classes and all walks of life,and has made certain achievements in history.At the same time,Cizhou kiln had more innovations.The Song Dynasty gradually formed a unique decorative style of Cizhou kiln with white ground and black flowers,which was integrated and innovated with the foreign culture of Nuzhen nationality in Jin Dynasty,and the transition and development from white porcelain to colored porcelain.In Yuan Dynasty,the types of wine vessels increased,and the decorative style and content tended to be realistic.Cizhou kiln,as a folk magnetic field,also has a great influence on the ceramic industry.

关 键 词：宋金元磁州窑 白地黑花 女真族文化 元代饮酒之风 

分 类 号：J0[艺术—艺术理论]