古希腊艺术中的黑人形象  

On the Images of the Blacks in Ancient Greek Arts

作　　者：冯定雄[1,2] 郭艳 FENG Dingxiong;GUO Yan(School of Humanities,Zhejiang Normal University,Jinhua 321004,China;Chongqing Tianxingqiao Middle School,Chongqing 400038,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004 [2]重庆市天星桥中学,重庆400038

出　　处：《浙江海洋大学学报（人文科学版）》2021年第4期35-42,共8页Journal of Zhejiang Ocean University(Humanities Sciences)

基　　金：国家社科基金项目“希腊罗马世界中的黑人研究”(编号:18BSS025);2020年度中国历史研究院学术出版资助项目(第一批)“希腊罗马世界中的黑人研究”。

摘　　要：希腊艺术品中的黑人绘画主题反映了希腊人对待黑人的态度。在早期希腊艺术中,有关黑人的选题主要是来自战争题材,描述的内容主要与希腊神话密切相关,但黑人形象的艺术表现手法较为粗糙。古典时期希腊艺术中对黑人的描绘明显继承了早期希腊艺术风格,但在表现手法上有新的发展。到希腊化时期,关于黑人的艺术主题更多地从宗教神话转向了世俗世界,艺术品中的黑人社会地位并不高,它体现了艺术主题的新变化,是整个希腊化时期艺术风格的表征,这与种族主义者所鼓吹的种族歧视没有任何关系。The theme of the black paintings in Greek arts reflects the Greek attitude toward blacks.In the early Greek art,the selected topics about the blacks mainly came from the war themes,which is closely related to Greek myth,but the technique of artistic expression is rather coarse.In the classical age,the depiction of the blacks in Greek art clearly inherited the early Greek styles,but with a further development in terms of the technique of expression.During the Hellenistic period,the artistic theme about blacks turned more to the earthly world from Greek religion and myth,but the social status of blacks in the artwork is not high,which not only embodies the new changes of the artistic theme but also is the representation of the artistic style in the whole Hellenistic period.That has nothing to do with the racial discrimination preached by the racists.

关 键 词：古希腊 艺术品 黑人(埃塞俄比亚人) 种族主义 

分 类 号：J110.92[艺术—艺术理论]