看不见的较量:新媒介环境下符号自我的还原  

The Invisible Contest:Reduction of the Semiotic Self in the New Media

作　　者：谢林杉 雷晓兰[1] XIE Linshan;LEI Xiaolan(Faculty of Literature and Musical Arts,Yibin University,Yibin,Sichuan 644007,China;Institute of Semiotics and Media Studies,Sichuan University,Chengdu,Sichuan 610207,China)

机构地区：[1]宜宾学院文学与音乐艺术学部,四川宜宾644007 [2]四川大学符号学-传媒学研究所,四川成都610207

出　　处：《宜宾学院学报》2021年第11期52-62,共11页Journal of Yibin University

摘　　要：诺伯特·威利综合皮尔斯与米德的自我理论,在提出“主我—你—客我”的符号自我三元模式的同时发展了尼克拉斯·卢曼的层面范式,将分属于符号和物理的六个层面进行等级排序,并确定自我所处的层面等级位置。自我是一个符号,符号必然存在于具体语境当中。当今社会,在许多符号语境中,新媒介无疑都扮演着举足轻重的角色。除日益参与到人类日常生活中以外,新媒介对个体内在的自我产生的影响也逐渐显现:一方面,新媒介作为社会环境中不可或缺的一部分,通过各类文化现象渗透到个体周围,使得自我不同程度地还原至其他本体层面;另一方面,新媒介的某部分特性也能避免自我的还原情况完全发生,从而保证自我在外部层面等级以及内部三元结构方面的相对稳定性。Norbert Wiley integrated Charles Sanders Peirce and George Herbert Mead’s self theory,and put forward the semiotic self triad model of“I-you-me”.At the same time,he developed Niklas Luhmann’s theory about level,which ranks the six levels of the symbolic and physical,and determines the position of the self on the level hierarchy.The semiotic self must exist in the specific context.In today’s society,new media undoubtedly plays a pivotal role in many semiotic contexts.In addition to increasingly participating in human daily life,the impact of new media on individual inner self is also gradually emerging:on the one hand,as an indispensable part of the social environment,the new media permeates around individuals through various cultural phenomena,making the self restore to other ontological levels to varying degrees;on the other hand,some characteristics of the new media can also avoid the complete occurrence of self-reduction,so as to ensure the relative stability of self-level in the external level and internal ternary structure.

关 键 词：符号自我 新媒介 层面 自我还原 

分 类 号：G206[文化科学—传播学]