“未必真实”的艺术:博纳富瓦的诗歌创作风格  

The Art of the“Improbable”——A Study of Bonnefoy’s Poetic Style

作　　者：李建英 LI Jianying

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2021年第6期71-78,共8页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：国家社科基金一般项目“兰波诗歌与诗学研究”(16BWW072)。

摘　　要：博纳富瓦是一位反映“在场”的诗人,他主张以呈现“在场”的方式在诗歌中建立另一种“未必真实”的真实。为了实践自己的诗歌主张,他追随超现实主义,追求词语的极端意义。当他发现语言、意象、现实三者的巧妙重叠不能反映现实时,立刻与之分道扬镳;他在语言的晦涩与晓畅之间探索,以“简单”呈现“繁复”,希望于“简单”和“繁复”中把握世界的整体存在;他追求作品含义的开放最大化,以此消解概念,与“未必真实”的世界相吻合;他寻求超越一切形式的束缚,或者说一切形式的运用都是为了表现“在场”。这种反映“未必真实”的创作风格在整个20世纪法国诗坛独树一帜,在法国诗歌史上也绝无仅有,值得借鉴。Bonnefoy is a poet who reflects the“presence”.He advocates the establishment of another“improbable”reality in poetry in the form of presenting“presence”.The art of his poetic style is formulated in the following four points.Firstly,he fol⁃lows surrealism and pursues the extreme meaning of words.When discovering that the ingenious overlap of language,imagery,and reality cannot reflect reality,he immediately abandons it.Secondly,he explores between the obscurity and lucidity of lan⁃guage,presents“complexity”with“simplicity”,and hopes to grasp the whole existence of the world in“simplicity”and“com⁃plexity”.Thirdly,He pursues the open maximization of the meaning of the work,thereby dissolving the concept and matching the“improbable”world.Fourthly,he devoted to transcending all forms of restraint,or using all forms to express“presence”.This creative style that reflects the“improbable”reality is unique in the French poetry of the 20th century,and is unique in the history of French poetry,and it is worthwhile of being studied.

关 键 词：博纳富瓦 诗歌 在场 风格 

分 类 号：I565[文学—其他各国文学]