明文学权力“移于郎署”说考辨  

On the Theory that the Literary Power Transferring to Langshu in the Ming Dynasty

作　　者：薛泉 XUE Quan(School of Language and Literature,Shandong Normal University,Jinan 250014,China)

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《湖南大学学报（社会科学版）》2021年第6期97-104,共8页Journal of Hunan University(Social Sciences)

基　　金：国家社会科学基金项目:明代郎署官与文学权力之关系研究(14BZW064)。

摘　　要：明文学权力“移于郎署”说,滥觞于樊鹏,经康海、陆树声、王世贞、四库馆臣等不断推扬与阐释,最终由清人陈田正式推出。明文学权力“移于郎署”有一渐进过程,大致始于弘治时期,完成于正德、嘉靖间,即正德三年后的这段时间。移于郎署的文学权力主要是一般性诗文风格的主导权。从某种意义上说,此说是郎署文人鸣盛意识的产物。厘清明文学权力“移于郎署”说及其相关问题,不仅可以客观地体认明中后期文风转向之蕴涵,还能为宏观上考察、把握中晚明文学之发展、演化,提供一个相对别致的视角。The viewpoint that the literary power of the Ming Dynasty moved down to Langshu originated from FanPeng.After the constant propaganda and interpretation of KangHai,Lu Shusheng,WangShizhen,Sikuguanchen and others,Chen Tian put forward the theory at last in the Qing Dynasty.The downward movement of literary power to Langshu is a gradual process,which started in the Hongzhi period and completed between Zhengde and Jiajing Dynasties.The literary power that moved down to Langshu was mainly the style dominance of general poetry.In a sense,the viewpoint that the literary power of the Ming Dynasty moved down to Langshu is the product of the Ming Sheng consciousness of Langshu literati.To clarify the relevant issues of the viewpoint of moving down to Langshu can not only objectively understand the implication of the turn of literary style in the middle and late Ming Dynasty,but also provide a relatively unique observation perspective for grasping the development and evolution of literature in the Ming Dynasty.

关 键 词：文学权力 移于郎署 馆阁 鸣盛意识 

分 类 号：I206.2[文学—中国文学]