神圣与世俗的协商——《小癞子》的现实摹仿观  

The Negotiation between Sacredness and Secularity--The Realistic Imitation View of Lazarillo de Tormes

作　　者：刘懿磊 孔令然[1,2] LIU Yilei;KONG Lingran(School of Western Languages,Harbin Normal University,Harbin,Heilongjiang,150025,China;School of English and International Studies,Beijing Foreign Studies University,Beijing,100089,China)

机构地区：[1]哈尔滨师范大学西语学院,黑龙江哈尔滨150025 [2]北京外国语大学英语学院,北京100089

出　　处：《牡丹江师范学院学报（社会科学版）》2021年第5期52-59,共8页Journal of Mudanjiang Normal University(Social Sciences Edition)

基　　金：黑龙江省哲学社会科学研究规划青年项目(18WWC244)。

摘　　要：“流浪”是西方文学中的一个重要主题,西方流浪汉小说的产生与希腊罗马的史诗、中世纪的市民文学均有渊源,表征为一种混杂悲喜剧风格的反英雄自传。西方文学史上的流浪汉小说,特指16世纪的西班牙流浪汉小说,其开山之作《小癞子》融合基督教神学与市民文学,体现神本与人本的精神交织。探究其现实摹仿观,从历史形象阐释、混杂叙事及阐释循环,表征为神圣与世俗的协商及其昭示的人本主义精神。"Vagrancy"is an important theme in Western literature.The emergence of picaresque novel is related to greco-roman epics and medieval citizen literature.It is characterized as an anti-hero autobiography with a mixed tragicomic style.The picaresque novel in the Western literature,especially refers to the Spanish picaresque novel in the 16th century.The pioneering work Lazarillo de Tormes combines Christian theology and citizen literature,reflecting the spiritual interweaving of Godism and humanism.Its realistic imitation view features the negotiation between the sacredness and secularity as well as its manifestation of humanism,facilitated by the analysis of historical figural interpretation,mixed narratives and hermeneutical circle.

关 键 词：《小癞子》 摹仿 人本精神 协商 

分 类 号：I106.4[文学—世界文学]