近体诗平仄规律“五原则推导法”  

Five Principles of Level&Oblique Tones in Modern-style Poetry

作　　者：路伟[1] LU Wei(College of Humanity,Honghe University,Mengzi 661199,China)

机构地区：[1]红河学院人文学院,云南蒙自661199

出　　处：《红河学院学报》2021年第6期69-71,共3页Journal of Honghe University

摘　　要：平仄是近体诗格律的核心。近体诗的平仄必须遵循五个基本原则:音步原则、“对”的原则,“粘”的原则、押韵原则和非三声调原则。根据音步原则可以得出“始成句”,押韵原则和非三声调原则出现了平仄的变动,也可以合起来叫对调原则,根据对调原则,可以得出“派生句”。利用平仄基本规律的五原则,可以推导出近体诗平仄规律的所有篇式。The principle of level and oblique tones is the core of Chinese modern-style poetry.Five basic principles must be followed in the flat tone compulsory of modern-style poetry:the principle of foot,the principle of contrary,the principle of equal,the principle of rhyme and the principle of non-third-tone.According to the principle of step,we can get the“beginning sentence”;the rhyme principle and the non-third-tone principle have changed in tones,which can also be deducted the principle of intonation,the base of the“derived sentence”.Using the five principles of level and oblique tones,all the textual forms about level and oblique tones in modern-style poetry can be deduced as well.

关 键 词：平仄 句式 五原则 推导 篇式 

分 类 号：H014[语言文字—语言学]